While
reading The Brief Wondrous Life of Oscar
Wao, I was curious as to the author’s purpose in demanding that the reader
constantly choose between the ideas of fukú and zafa. Throughout the novel,
Diaz juxtaposes good and bad events to present this choice, such as near the
beginning of the novel when Oscar has some luck with girls that is described as
having “only lasted a beautiful week,” (14). Occasionally, the author directly
advises the reader to make a decision, such as in the portion of the novel
entitled “FUKÚ VS. ZAFA” (152). At the end of the novel, the author presents
the two possible outcomes for the family, one that ends well and one that ends
negatively, again contrasting the ideas of fukú and zafa.
One
reason Diaz juxtaposes these two ideas and demands that the reader reach their
own decisions about whether fukú or zafa is more valid is to present the idea
that neither actually is. For instance, he states through Yunior, “The only
answer I can give you is the least satisfying: you’ll have to decide for
yourself. What’s certain is that nothing’s certain.” (243). If the reader has
to decide for themselves, then any possible answer must be legitimate. If
nothing is certain, then there really is not any solid evidence to support
either case, so neither is entirely true.
The two possible outcomes for the
family presented at the end, one where the fukú is ended and the other where it
continues because “Nothing ever ends,” (331) leave the reader with the concept
that the future is uncertain. This contributes to the uncertainty throughout
the novel about zafa and fukú. Diaz seems to be stating that anyone who
actually decides between fukú and zafa is wrong, because there is no possible
way to know. He may be demanding that the reader make their own decision to
assert that he will not be presenting his own opinion, because he does not
believe there is a correct answer. In this, the ideas of fukú and zafa directly
relate to the theme that there are not correct or easy answers to difficult
questions in life. It seems likely that this comparison to life is one purpose
in Diaz’s juxtaposition of fukú and zafa.
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