With
upwards of 50 different definitions, the word right has a variety of meanings,
and thus plays a number of diverse roles in The
Known World. I am going to focus on
the role played by two of these forms of right – the most significant in the
book in my opinion -- one adjective and one noun. The definitions are,
respectively: (1) morally or socially
correct or acceptable and (2) something that a person is or should be morally
or legally allowed to have, get, or do (Merriam Webster).
Both
of these definitions create an extremely ambiguous nature of the meaning of the
word right. This ambiguity is central to the theme of The Known World. Jones’s characters each have a different idea of what
is right and what is wrong, and yet they are all constantly commanding each
other to be right (adjective form). When Moses is mistreating Alice, Delphie
says to him “you know this ain’t right” (271). But does he really? Does anyone
know what is or isn’t right? They all think they do, but none of them are in
accordance with one another. Yet, being right is extremely important to them,
which makes it all the worse that they cannot agree. When Fern is punishing
Jebediah for his bad behavior, she says “I don’t want him going anywhere until
he learns right from wrong, night from day” (257). However, even though it is
as important as the difference between night and day, her distinction between
right and wrong is so different from his that they will never figure it out.
The lack of certainty surrounding what is right creates countless conflicts in
the novel by fostering misunderstanding amongst the characters.
Due
to the ambiguity of what is right and what is wrong, the characters then lack a
structure of what rights (noun form) they actually possess. When Augustus
Townsend is reprimanded for traveling freely by Harvey Travis, he asserts “I’m
only doin what I got a right to do,” referring to his legal right based on his
free papers (212). However, Travis’s response is to eat Augustus’s free papers,
and state “thas what I think a your right to do anything you got a right to do”
(212). The same confusion is seen earlier in the story when Augustus is
appalled and ashamed that his son owns slaves, and Henry responds with “Papa, I
ain’t done nothing I ain’t a right to” (138). These contradictory scenarios
prove that no one in this book understands his/her rights. Their rights are
determined based on what is right and wrong in the world, but they don’t have a
clue what is actually right or wrong in the messed up world they live in. The role of the word “right” in The Known World is to prove the incredible
uncertainty of right and wrong that existed during the antebellum,
slavery-filled South.
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