The more that I read Freedom, the more I ask myself just what freedom means within the
context of the novel. I have slowly come
to realize that the answer to this question may be different for the various
main characters and for the various sets of circumstances in which they find
themselves. Yet, it seems that, most
often, what is described or viewed as freedom in the novel is more of a false
escape from situations or consequences—an escape that is ultimately more
enslaving than liberating. For example,
when Joey moves to Virginia to attend college, Connie tells him that he should
feel free to sleep with other girls while he is away (272). While this may appear to be freedom at first
glance, as it would allow Joey to forget about his tumultuous relationship with
Connie, being unfaithful to her is doomed to bring him a flood internal
conflicts and muddled emotions. The same is true when Patty is unfaithful to
her husband and sleeps with Richard.
While this may seem to suggest that Patty and Richard are demonstrating
their freedom through this act, it only serves to make them both miserable once
they part; it also enhances the discontent they both feel for their everyday
lives.
This escapist mentality does not
only apply to characters who stress their freedom through sexual acts. When Richard briefly contemplates suicide, he
relishes in the appeal of being free of his complicated relationships with
Patty and Walter, free of “the bother of being a bother” (402). When Patty emphasizes that she loves the freedom
that she possesses to make trips to Nameless Lake, it is no mystery that this
freedom is appealing because it provides a refuge from her unhappy marriage and
home life. In fact, the novel reads,
“There was a more general freedom that she could see was killing her but she
was nonetheless unable to let go of” (190).
To me, this connects to a political idea
expressed in the novel: freedom often
comes with conditions. This raises the
important question: is freedom that
comes with conditions freedom at all?
This reminds me of a scene in the movie The Duchess during which Georgiana, the Duchess of Devonshire, is
surrounded by her husband’s comrades as they discuss women’s rights. They note that “freedom in moderation” is
their party’s approach to the matter. At
this, Georgiana points out that the concept of freedom is an absolute; just as
one cannot be moderately loved or moderately dead, one cannot be moderately
free. This rings true for me, and with
this in mind, I am anxious to see how characters’ ideas of freedom continue to
evolve.
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